Because caves and tunnels lead deep
underground, figuratively they serve as routes to the underworld and to the collective
unconscious. Caverns, grottos, dark
passageways, underground chambers—all form a timeless geological Halloween as
enduring as the damp stone out of which they are made. What is ‘down there’ after all but death,
hell, and the forgotten? It is an
excellent location for a horror entertainment, and is the natural setting for
countless stories and films.
One
of the earliest stories that H.P. Lovecraft published was of course The Beast In The Cave (1918), but several
of his other stories involved caves and underground passageways, among them The Lurking Fear (1923) and Pickman’s Model (1927). His friend and colleague, Robert E. Howard
wrote an important tale that takes place almost entirely under the ground, People of the Dark (1932). The story is important, at least to fans of
Howard’s fiction, because it contains one of the earliest appearances of his
popular character, Conan.
People of the Dark was published in Strange Tales of Mystery and Terror, a
magazine produced by Clayton Magazines of New York, which also published another
renowned pulp fiction magazine, Astounding
Stories. These two publications were
later competitors of Weird Tales,
which first appeared in 1923.
In People of the Dark, John O’Brien, a
feisty American prone to fighting and getting what he wants follows two others
to Dagon’s Cave, somewhere in England. ‘Dagon’—hmm,
where have I heard that name before? (As
an ancient Philistine fish god, he certainly got around.) O’Brien is after Eleanor Bland, whom he loves,
and her other suitor, an Englishman
named Richard Brent. Eleanor is not sure
which of the men she is really in love with—O’Brien wants to help her narrow
the choices by killing Brent. He has
stashed a revolver in the pocket of his coat.
What is a Howard story without mayhem and murder?
But
there is more than a romantic triangle here.
Howard provides some back story about the original inhabitants of this
region. Driven into the hills and then
into the caves by tribes of marauding Gaels and Britons, they survived in the
dark recesses of the earth, and became ‘the little people’ of legend. Later in the story they are called ‘the
Children of the Dark’. Their underground
environment has caused a kind of reverse evolution over generations, and they have
begun to resemble other cave denizens, most notably snakes.
(Lovecraft
has this understanding as well—that living underground for prolonged periods of
time will cause a reversal and degrading of the human form to something more
bestial and reptilian. It is part of his
biology of ghouls, and explains why, genetically, ghouls are still able to
procreate with humans and produce half breeds like the famous Pickman. The germ of the idea appears as early as
Lovecraft’s The Beast In the Cave.)
O’Brien
enters the cave but soon stumbles down some stone steps and falls, knocking
himself unconscious. When he comes to,
he discovers that he is…Conan! This is
not yet Conan the Barbarian, or Conan the Cimmerian. This is Conan ‘the reaver’, but
physiologically and temperamentally, this is the warrior we know. He is wearing a loincloth and sandals, and
picks up a heavy iron sword. He is
massively built, with a “square-cut black mane”.
Richard
Brent and Eleanor Bland have also been transformed; they are now Vertorix and
Tamera, both Britons, at war with Gaels like Conan. Not only that, but the troubled romantic
triangle that the three form together has been transferred from the 20th
Century to ancient times.
Conan
and Vertorix begin slashing at each other, Conan with his famed iron sword and
Vertorix with an ax. But Tamera is
captured by the Children of the Dark. Reptilian
in appearance, they drag her into the depths of Dagon Cave, where conveniently
there is a blood soaked altar and a black stone sitting on top of a pile of
human skulls. It does not look good for
Tamera. Conan and Vertorix put aside
their squabbling over the woman and join forces to rescue her. There is considerable battle action and bloody
violence lovingly and graphically depicted by the author. But there is an unexpected turn of events
just as the three are about to get free of the cave and its slimy inhabitants.
Conan—now
O’Brien again—wakes on the floor of the cave, woozy from his fall and
concussion. The cave is quiet but for
the distant sounds of…something. Richard Brent and Eleanor Bland are also somewhere
in the cave, and O’Brien begins to search for them again. He retraces the path that he took as Conan
during his vision of the ancient struggle with the Children of the Dark. This is a clever device used by the author to
build suspense. The effect is exactly like
that of a video game when the player has destroyed a powerful lich, but must
still travel back through hazardous corridors where danger may still lurk.
To O’Brien
the cave now appears much older and more decrepit than in his dream. He resumes his quest to possess the beautiful
Eleanor Bland, yet begins to have second thoughts about killing Brent. However, in addition to O’Brien, his rival
Brent and the woman he loves, there is one other in the cave…
The
framework of the People of the Dark contains
interesting symmetry, with a satisfying, ironic ending. Howard keeps the plot interesting with lots of
action, an imaginative monster, and careful attention to small details that
become significant later in the tale.
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