For
example, in The Dwellers Under the Tomb,
the denizen from deep underground is “a flaming-eyed dog-headed horror.” In more developed stories, this creature
becomes a reptilian, snake headed
humanoid. (Its eyes still glow in the
dark.) This is consistent with Howard’s evolving
theory of human devolution: people driven to live underground for many
generations physically revert to a more primitive life form.
Near
the end of the story is this melodramatic passage:
“Spawn
of the black pits of madness and eternal night!
Crawling obscenities seething in the slime of the earth’s unguessed
deeps—the ultimate horror of retrogression—the nadir of human degeneration—good
God, their ancestors were men! The pits
below the fifteenth tier, into what hells of blasphemous black horror do they
sink, and by what demoniac hordes are they peopled?”
Which
of Robert E. Howard’s colleagues does this text remind you of?
Howard
also appears to ape Lovecraft’s archaeological analysis of the alien hieroglyphics
found in At the Mountains of Madness. Though published in 1936, Lovecraft wrote
this story in early 1931, according to his biographer, S.T. Joshi. Like the record of the Old Ones in Lovecraft’s
story, Howard’s cave dwellers show cultural and technological deterioration
over time, eventually regressing to a bestial form of life.
The Dwellers Under the Tomb is closely related to several
other stories by Howard, among them, The
Children of the Night (1931), People
of the Dark (1932), The Valley of the
Lost (1967), and The Little People
(1970). Each of these features Howard’s
lost race of subterranean humanoids, typically encountered near openings in the
earth. The posthumously published
stories, of which The Dwellers Under the
Tomb is one, must have been written sometime before 1936, when the author
died. The reader may wonder whether
Howard felt these were ready for print at the time he penned them. With the exception of The Valley of the Lost, these later stories appear less developed,
contain more flaws, and are of generally lower quality than the items published
during Howard’s lifetime.
The Dwellers Under the Tomb is about two aged twin brothers,
Job and Jonas Kiles, who hate and fear each other. Job is successful, but miserly and disagreeable. Jonas is impoverished, but scheming and
possibly demonic. Their situation is another
version of the story of Cain and Abel, which has many iterations throughout
horror literature. See for example,
Walter De La Mare’s The Tree (1923)
or Clark Ashton Smith’s The Return of the
Sorcerer (1931).
Jonas
fakes his own death in hopes of luring his brother to the grave site, killing
him, and taking his place. Witnesses to
the unfolding crime are two neighbors, John Conrad—who also appears in Dig Me No Grave—and John O’Donnel, who
with Conrad appears in The Children of the
Night. These are well-to-do gentlemen
who live in nearby mansions. Despite
great wealth and ample leisure, all of these characters live in a rough neighborhood.
In the
other story, Conrad watched as a neighbor, two mansions over, was seized by a
demon in fulfillment of a contract he had signed with Satan. In The
Children of the Night, O’Donnel channeled the spirit of a murderous Aryan
warrior, and nearly killed a houseguest in the process.
Job and Jonas live within walking
distance of the mysterious Dagoth Hills, which are riddled with tunnels and
caverns. (In People of the Dark, the entrance to the lair of the subterranean
race is “Dagon’s Cave”.)
Jonas
makes the critical mistake of locating his fake sepulcher near the entrance to
the underground tunnels where “the dwellers” are massing. He succeeds in luring his brother to the
tomb, where Job is promptly frightened to death by an appearance of one of the subterranean
humanoids. Conrad and O’Donnel discover
a diary kept by Jonas—the last entry is a preposterously long passage that
gleefully explains the plot to murder his brother Job. It also speculates about the mysterious race
that constructed the more or less orderly series of tunnels and chambers beneath
the tomb. Justice must be done, and
Jonas soon suffers a gruesome fate as he tries to escape via a secret
passageway. It is just as well.
The Dwellers Under the Tomb originally appeared in Lost Fantasies 4 in 1976. Lost Fantasies was a series of
anthologies published in the mid to late 1970s that featured pulp fiction from
the late 1920s to the early 1940s. Many
of the issues were edited by Robert Weinberg, an avid fan and collector of
horror, fantasy and science fiction entertainments. His site is a great place to find examples of
cover art, as well as tips for would be horror-writers and other useful
information.
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