Not
to know the truth, at least not right away, is sometimes better, especially in
regards to love and infatuation. This
seems to be the moral of Clark Ashton Smith’s, The Enchantress of Sylaire (1941), an item in his Averoigne cycle
of stories. This adults-only fable was
published in Weird Tales, along side
of a second installment of H.P. Lovecraft’s The
Case of Charles Dexter Ward, Manly Wade Wellman’s It All Came True in the Woods, and a novella by Ray Cummings, The Robot God.
(A
great quote from Cummings: "Time...
is what keeps everything from happening at once.")
The Enchantress of Sylaire contains Smith’s characteristic
ambivalence about absolute differences between good and evil, a division
typically blurred by the self-interest of his characters. The story also includes his clever symmetry
and circularity in the plot: many of his
narratives seem to end in some sense where they began, but with a powerful
resolution the second time around.
Though
simple in form—a seemingly straightforward fairy tale—the author is attempting
to say something subtle and profound about relationships between men and women,
and the impact of time on perceptions of the beloved. The naïve young Anselme has recently sworn off
women after being rudely dismissed by the haughty demoiselle Dorothée. But his commitment to this plan soon wavers. Near his hermit’s camp in the woods he
encounters the lovely Sephora as she is bathing in a woodland pool. Sephora is the enchantress referred to in the
title, and Anselme is immediately smitten by her intense physical beauty.
Unfortunately,
Sephora is accompanied by a large, threatening wolf. Sephora tells Anselme that the canine is
harmless, and she should know: the wolf
is her previous lover and a sorcerer, whom she has changed into a wolf. “The pool is cursed from old time with the
infection of lycanthropy—and Sephora has added her spells to its power,” the
wolf later explains to Anselme in private.
From the wolf, whose name is Malachie, Anselme learns that Sephora is an
ancient lamia, “…who feeds on the vital forces of young men.” Malachie provides Anselme a special mirror to
see Sephora as she really is—a hideous and treacherous monster. Will he use it?
In
Greek mythology the Lamia was once a Libyan queen and mistress of Zeus. When his wife Hera found out about the two of
them, she killed all her children, and changed Lamia into a serpentine creature
that hunted and fed on the children of others.
Later traditions combined her legend with that of local vampires and
succubi, and she became a being that seduced and exsanguinated young men.
The poet
John Keats described this mythological being in his poem The Lamia (1884):
“She
was a Gordian shape of dazzling hue
Vermilion-spotted,
golden, green, and blue;
Striped
like a zebra, freckled like a pard,
Eyed
like a peacock, and all crimson barr’d;
And
full of silver moons, that, as she breathed,
Dissolv’d,
or brighter shown, or interwreathed,
Their
lustres with the gloomier tapestries—
So
rainbow-sided, touch’d with miseries
She
seem’d, at once, some penanced lady elf,
Some
demon’s mistress, or the demon’s self.
Upon
her crest she wore a wannish fire
Sprinkled
with stars, like Ariadne’s fire
Her
head was serpent, but ah, bittersweet
She
had a woman’s mouth with all its pearls complete:
And
for her eyes: what could such eyes do there
But
weep, and weep, that they were born so fair…”
Exsanguination is certainly a risk Anselme is
willing to take with Sephora, despite Malachie’s warnings. Can her ex-lover really be trusted anyway? In an amusing twist at the end of the story,
Anselme uses the “Mirror of Reality” with good effect—but not on his beloved Sephora. Doesn’t
something like this happen among all lovers?
It is
interesting to compare The Enchantress of
Sylaire with a two part story Smith had published about a decade earlier, The City of Singing Flame/Beyond the Singing
Flame (1931). (See also An
Early ‘Trans-Dimensional’ Portal and ‘Trans-Dimensional’
Portal Redux) The earlier two stories strive for “scientifiction”
and employ a “trans-dimensional portal”, the operation of which is explained in
terms of a “spectral flaw..a sort of super-dimension, abridging the cosmic
intervals and connecting universe with universe.” Ten years later, Smith dispenses with this,
and Sephora the Enchantress merely guides Anselme to a nearby huddle of Druidic
monoliths, the portal to her domain.
Mirrors and portals, gateways to other realms, Reflecting the known, but concealing secrets overwhelmed. 9Qpes Discount On Cyberghost VPN Step through, and a new dimension overwhelms.
ReplyDelete