SyFy’s
new show Dominion, which premiered
last Thursday night, is a fascinating mix of exotic theology, totalitarianism,
and comic book action. The show takes
place in the near future, after an apocalyptic battle between humanity and the
angels. God has unaccountably left and
gone away, allowing the angel Gabriel to lead a horde of “lower angels” to
wreak havoc against mankind.
These
evil angels are capable of possessing
humans and converting them into super powered yet articulate zombies, able to
scale walls and ceilings as well as leap great distances. Unlike zombies, the Possessed can be
dispatched pretty much like ordinary humans, with bullets, knives or swords—a head
shot is not necessary. But they are fast, and some can actually fly. Alex Lannon, one of the main characters,
encounters a few of them—they are called “eight balls”—during a reconnaissance mission
outside the walled city of Vega. Alex
must flee back to the safety of the city, which provides an opportunity to
demonstrate the city’s defensive capability, in a scene very similar to one in Starship Troopers.
Only
the archangel Michael, who has broken with his fellow seraphim and cherubim,
stands between Gabriel’s minions and beleaguered humanity. He is the tireless defender of the remnant
that has survived the conflagration. Yet
Michael’s human defendees feel considerable ambivalence about the rigid code
and hierarchy he has imposed on them to ensure security and survival.
(If
this is what the angels are like, how bad can the demons be?)
Although
only 25 years have elapsed since the war with the angels, humanity has
regressed nearly a thousand years in
social, political and economic organization.
People live in fortress city states, where candles, religious statuary, and Greco-Roman
architecture exist side by side with plasma screens, high-tech weapons, and
video surveillance cameras. Resources
are scarce; emissaries from rival cities must barter for food, medicine, wives,
and a nuclear reactor. The archaic costumes, set design, and urban scenery
really suggest an alternative universe, where the Medieval “Age of Faith”
co-exists with advanced technology.
As in
Helix, the first episode of Dominion introduces a plethora of
characters and subplots, so viewers may want to take notes, (or visit the show’s
website at http://www.syfy.com/dominion). The city of Vega, where the show begins, is a
totalitarian world filled with conspiracies, bizarre religious beliefs and
social unrest. The people grumble under
an oppressive caste hierarchy that mirrors the organization of the angels in
heaven. The Archangel Michael rules and defends Vega from on high, but delegates
authority to General Riesen, the “Lord of the City”, and David Whele, the conniving
and power hungry “Secretary of Commerce”. (Will capitalism and corporate interests ever
be fairly portrayed on TV?)
The
noble General wants to arrange a marriage of his beautiful daughter Claire to
the Secretary’s fanatical son William, thus politically uniting the House of
Riesen with the House of Whele in hopes of bringing about political
reform. As “Principate”, William is head
of the Church of the Savior, which holds that a human has already been born who
will lead mankind to victory over the angels.
Only
the most fundamentalist of Christians will find this notion blasphemous,
because the theology in Dominion is so
well off the beaten track of orthodoxy.
If anything, the traditional faithful may be charmed to see people
actually engaged in prayer on television, and the concept of simple faith and
piety is a recurring theme, (especially when contrasted with the machinations
of the treacherous Secretary).
Claire,
who wants justice and democracy for the people of Vega, is much opposed to
marrying the Secretary’s son William.
She is secretly in love with Alex Lannon, a soldier in the Archangel
Corps. This relationship will certainly
complicate things over the next few episodes.
Meanwhile, the Secretary is secretly involved with Arika, the beautiful
emissary from the rival city of Helena, who wants to make a deal for nuclear
technology. Alex Lannon has befriended a
poor orphan named Bixby, whom he wants to escort to the distant democratic city
of Delphi. He plans an escape from the
walled city of Vega with Bixby and Claire, but an angel attack near the end of
the show thwarts this. (As with Helix, the underlying format of Dominion, despite all the weaponry and exploding
evil angels, is the soap opera.)
There
is some speculation as to whether “the Chosen One” has arrived in Vega, and
this matter is clarified in the pilot, when a miracle occurs involving
mysterious, hieroglyphic tattoos. None
of this has to make sense.
Given
its wildly imaginative alternative universe, frenetic action and engaging
subplots, the show can be forgiven for borrowing heavily from a number science
fiction movies and shows. In fact,
viewers may enjoy spotting the contributions from Starship Troopers, the Matrix
franchise, Blade Runner and perhaps even
Les Miserables, among others. Some
of the urban sets depicting the oppressed citizenry of Vega reminded me of the
old 1980s science fiction dystopia, Max
Headroom.
Dominion is on SyFy Thursday nights at
9:00 E.S.T.
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