Marooned Under the Sea (1930) is an entertaining science fiction adventure that originally appeared in Astounding Stories. It is another “lost race” story, but much brighter in tone and outcome than the hidden societies envisioned by Robert E. Howard, H.P. Lovecraft, Abraham Merritt, and others. Work by these authors has been discussed in earlier posts; the reader may find it interesting to compare the undersea society created by Paul Ernst to the weird communities depicted in the following stories:
People of the Dark (1932), by Robert E. Howard, (see
A
Subterranean Déjà vu )
The Mound (written in 1930), by H.P.
Lovecraft, with Zealia Bishop, (see 1.
H.P. Lovecraft, Ethnographer of Doom and 2.
But Zamacona Does the Heavy Lifting )
The People of the Pit (1918), by Abraham Merritt, (see
Death
by a Thousand Figures of Speech )
Paul
Ernst’s novella contains many of the endearing traits of pulp fiction adventure
stories: stock characters, stilted dialogue, beautiful women, gadgetry, exotic names
that begin with letters near the end of the alphabet, and exuberant speculation
about other worlds and technologies. The
undersea world he creates in Marooned Under
the Sea could easily have belonged on another planet—one of his characters actually
makes this comparison. The story has an
episodic structure, with passages of narrative that periodically end with a
question or hint at impending disaster. This technique builds in a rhythm of suspense
that keeps the story moving and sustains readers’ interest.
Marooned Under the Sea begins with an expedition to the
bottom of the Penguin Deep, which according to the author is a depression in the
Kermadec Trough that runs north-northeast of New Zealand. A zoologist named Professor George Berry has
invented a 1930s era version of a bathysphere, essentially an enormous glass
bubble, in which to explore the ocean bottom along with two others. It seems likely that Ernst got the idea for
the story from the spectacular investigations of naturalist William Beebe, who
used a bathysphere designed in the late 1920s for studying deep sea creatures
off the coast of Bermuda. In 1934, Beebe
was able to set a record for the deepest ocean dive: 3028 feet beneath the
surface. (Ernst has his fictional explorers
reach the bottom at 5,150 feet.)
Joining
Professor Berry is Stanley Brown, a big game hunter and owner of the glass
factory that manufactured the bathysphere.
It is required that “lost race” stories include among their chief characters
a professor who can explain everything, and a man of action who can do most of the
fighting and womanizing. The third
member of the party is Martin Grey, a young man with red hair. This detail is a critical part of the plot
later on: the Zyobite royal family requires
its princesses to marry red-haired gentleman in order to continue the dynastic
line. Martin is also the narrator of the
story. Given the likely gender and age range
of the targeted readership, the author intends for the events and characters
of the story to be seen and experienced through Martin’s eyes.
Not
long at after immersion into the dark depths, the trio encounters all kinds of
wonders and hazards. Enormous, bizarre
and predatory life forms swim by, and the searchlight reveals an eerie undersea
terrain. The professor cannot reload his
camera fast enough to record all the unusual species that drift just outside
the protective glass. But disaster
strikes: a storm far above destroys the
yacht and severs the only connection to the surface world. The bathysphere plummets to the bottom, breathable
air soon dwindles, and it looks as though the professor, Stanley, and Martin are
doomed. Martin blacks out at the
conclusion of the episode.
Fortunately,
they are rescued by the aquatic minions of Queen Aga of Zyobar, and taken to a
fabulous undersea city that thrives inside an enormous air filled, undersea
cavern. The Zyobites are human, and have
developed a highly advanced culture and technology by exploiting the resources
of their undersea world.
A
strength of Ernst’s writing is his vivid, detailed description, which allows
the reader to clearly visualize the more fantastic elements of his stories. In Zyobar lighting and heat are provided by
an inexhaustible supply of natural gas, and there are other interesting technologies
that parallel that of human societies on the surface of the planet. At one point, Ernst has the professor comment
on Zyobite rock drilling equipment: “Another
proof that practically every basic, badly needed tool had been invented again
and again, in all lands and times, as the necessity for it arose.”
The three
men are gradually acculturated to this world, learn the language, and form
relationships with the people, who are intelligent, friendly and compassionate. The Zyobites are the good guys.
Unlike
the evil Quabo, a race of humanoid
fish creatures that must breath water to survive. A powerful oceanic earthquake has destroyed
their protective city and exposed them to the hazards of moving about in the open
water. Interestingly, the author
acknowledges that the Quabo are in a desperate situation, and understandably must
take drastic action in order to survive in a hostile environment. But Ernst ensures that readers are not
confused by moral and cultural relativism; he emphasizes the diabolical
character of the Quabo by frequent reference to their physical, (i.e. racial),
differences. This approach to the
depiction of an enemy, fictional or otherwise, would see intensification with
the approach of World War II. Incidentally,
the Quabo resemble Cthulhu in appearance.
The
Quabo intend to drill holes through the rock and flood the cavern. They want to inundate the beautiful city of Zyobar,
drown all its citizens, and seize the territory for their own refugee masses. Queen Aga tells Martin all this not long
after the two fall in love.
Luckily
there is a professor around, who can come up with a strategy to defend the
Zyobites and vanquish the evil Quabo. An
initial attack is fended off, but the Quabo regroup and make use of one of
their own technological innovations: unable
to breathe air, the Quobar don helmets and suits that are filled with circulating
sea water. Instead of bubbles, rivulets
of water drain out as the creatures breathe.
There are other interesting reversals of technology. In a final battle with the cephalopod
attackers, the Zyobites pump natural gas through hoses that are ignited at one
end, delivering flames instead of water to the incendiary struggle.
The
professor, Stanley and Martin are heroes at the end of the story, but can never
return to the surface. An attempt is
made to send a record of their adventures to the surface—the story begins and
ends with reference to a water logged parchment found at sea near the Fiji
Islands. Yet there are some compensations.
Professor Berry becomes “the official wise man of the city”, able to
spend the rest of his life studying the fabulous biology of the deep seas. Stanley marries the gorgeous Mayis, and
Martin is crowned king of the Zyobites.
Paul
Ernst’s work is difficult to find outside of old anthologies or collections of the
original publications. However, a number
of his stories can be found at the Gutenberg Project, and these are listed below.
Marooned Under the Sea
(1930)
The Planetoid of Peril
(1931)
The Red Hell of Jupiter
(1931)
The World Behind the Moon
(1931)
The Radiant Shell (1932)
The Raid on the Termites
(1932)
Mask of Death
(1936)
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