I lift up my eyes to the broad leafy dome,
And others are there, looking downward to greet me
The ash grove, the ash grove, again is my home.”
And others are there, looking downward to greet me
The ash grove, the ash grove, again is my home.”
(The Ash Grove, lyrics by John Oxenford,
1873)
Regarding
the British author M.R. James, Lovecraft praised his “almost diabolic power of
calling horror by gentle steps from the midst of prosaic daily life…” and
summarized three principles used by James for writing effective horror: 1) put the setting of the story in familiar,
modern locations so that readers can relate more easily to it, 2) ghosts and
other spectral phenomena should be clearly evil and not good in intent, and 3)
the story should avoid any ‘pseudo-science’ or technical occult lingo. Tellingly, Lovecraft finishes his famous
essay, Supernatural Horror in Literature
with a discussion of the work of M.R. James, an author he highly admired.
The Ash-Tree (1904) by M.R. James is often
found in anthologies of classic horror short stories. The style and structure of the narrative is
similar to that of H.P. Lovecraft, though it was written more than a decade before
Lovecraft began to publish his first stories.
The language is less ponderous and archaic than Lovecraft’s, but his
favorite fictional device of having a character sift through historical
documents and journal entries to uncover a centuries old horror is used
effectively. The narrator in The Ash-Tree speaks with the voice of a
disinterested, detached antiquarian as he pores over old manuscripts and family
letters—the dry, unhurried tone accentuates the unfolding horror.
Though
technically a ghost story, the manifestation of spiritual evil takes a form and
a size that is more monstrous than ghostly.
And it has a lot of legs. The narrative relates the history of three
generations of a wealthy English family.
They have resided in Castringham Hall, an edifice dating back to the
seventeenth century. Until recent times,
there was next to the house an ancient ash tree.
Centuries
ago, an ancestor was instrumental in getting a local witch hanged. In fact he personally saw to it, having one
time observed the woman on his property “at the full of the moon, gathering
sprigs from the ash-tree near my house.”
Just before the woman is executed she utters some words that appear
meaningless at the time: “There will be
guests at the Hall.”
The narrator
discovers that this ancestor and his grandson, both of whom occupied a certain
room in the mansion with a view of the tree, died in their beds of unnatural
causes. In fact they died of supernatural causes emanating from the
tree. Leaving the window open in this
room is a bad idea. Beneath the tree, which is eventually burned
down, is found a single grave and the source of the horror.
Some
might argue that the use of a dispassionate narrator, busy reviewing the historical
evidence, is injurious to the emotional impact of a short story. Lovecraft often used this convention, the
intent of which may have been to lend credibility and realism to the story—in a
sense to say ‘I know you will not believe this and I am doubtful myself but
these are the facts as recorded and you may draw your own conclusions.’ In fact, since James precedes Lovecraft by
about a decade as the creator of the antiquarian investigator type, it seems
likely Lovecraft borrowed this notion from James to feature in many of his
stories.
However,
while Lovecraftian scholar-investigators tend to be phobic and hysterical,
characters in stories by M.R. James exude rationality and fortitude in the face
of terror. Paradoxically, the absence of
intense emotion seems to amplify the experience of horror in a James story. He is a master of what some call “quiet
horror”. With Lovecraft on the other
hand, readers may be more concerned about the mental health of the narrator,
(and the author), than the horror he is fleeing from.
In The Ash-Tree, there is some playfulness
among all the books and documents. As a
foreshadowing device James uses the superstitious practice of the ‘drawing of the
sortes’, (Sortes Sacrae). This is a
Christian divination system still in use today:
the Bible is opened randomly to a page and a verse randomly picked—it is
supposed to contain an important prophetic message for the reader. One character obtains a line from the book of
Luke: “Cut it down!” Another character receives the grimly
accurate but unhelpful message: “Thou shalt seek me in the morning, and I shall
not be.”
The Ash-Tree and other stories by M.R. James
should be considered mandatory reading for horror enthusiasts and for aspiring
horror writers. Also recommended is his
story Casting the Runes (1911), from
which the classic 1957 horror movie The
Night of the Demon was made.
No comments:
Post a Comment
Thank you for your interest in The R'lyeh Tribune! Comments and suggestions are always welcome.