Something is not quite right on the merchant sailing ship Shamraken. All of the sailors are ancient, far older than the crew of a sailing ship ought to be. They no longer know how old they are or how long they have been out on the water. Why have they not returned or retired to land by now? The youngest, the “b’y”, started working on the ship when he was 15, and is now “five and fifty years”. He minds his elders. He goes to bed when they tell him to and humbly accepts their reprimands.
Anyone
who has gone to a large family reunion can relate to this: how familial
relationships are preserved, more or less intact, despite the passage of
decades. And this is Hodgson’s
point. The men have become almost like
family to each other, “related one to the other; yet it was not so.” Not only that, but the sailors have reached a
level of perfection in their work. They are
unhurried and steadfast in doing what must be done to manage the ship. “Moreover, their hands possessed the ripe
skill which comes only from exceeding practice, and which went far to make
amends for the feebleness of age.”
In
William Hope Hodgson’s The Shamraken
Homeward-Bounder (1908), the author’s affection for the men of this crew and for the old merchant sailing fleets
is clear throughout the story. Hodgson
himself served aboard these ships for about 8 years, starting when he was 13
years old. He was of the last generation
of sailors to do so. His experiences as
an apprentice and sailor provided the source material for much of his fiction,
and later in life led him to become a staunch advocate for better working conditions
for the sailors.
The
story is really more of an elaborate scene than a clear narrative. Not a whole lot happens until the very end. There is a relaxed, static quality in the
author’s rendering of the dialogue and the routine chores aboard the ship. Things are very calm, leisurely, unhurried. The author has tried to replicate an older
English dialect, which makes the sailor’s conversations initially challenging
to read. There are sentences like this
one: “Thet’s right ‘nuff, Job, fer
yew. Each man ter ‘is taste. I wer’ tur’ble fond uv M’ria—“ But after
awhile, the language is not very intrusive at all, and creates a strong sense
of time and place.
The
men sit around smoking pipes, reminisce about wives and girlfriends, and later sing
a chantey as they hoist a sail: “Thar war an ole farmer in Yorkshire did dwell…’e
‘ad ‘n ole wife, ‘n ‘e wished ‘er in ‘ell…”
At one point in the story Hodgson has the men on board the Shamraken lament the end of the merchant
sailing industry: “It’s er weary thing to me as th’ old packet’s goin’. Six and sixty year hev I sailed in her. Six and sixty year!”…“It’s them durned
freights!” exclaimed the Skipper. “We’re
jest losin’ dollars every trip. It’s
them steam packets as knocked us out.”
The men
also begin to discuss spiritual matters and the afterlife, especially as the
wind dies down—always a bad sign in a Hodgson story. The sky fills with a strange rose colored
mist. “Above them, the unseen sky seemed
to be one vast blaze of silent, blood tinted flame.” Reference is made to the pillars of cloud and
fire that led the Israelites in the desert.
Some of the men think they are approaching the throne of God, or
heaven. As they gaze into a spot on the
horizon that shines with an “unearthly red brilliance”, the men imagine they
are seeing and hearing long lost family members and sweethearts.
However,
the appropriate couplet for the meteorological event they are observing is: “Red sky at morning, sailors take warning.” This is literally the calm before the storm,
a powerful cyclone. Hodgson makes it
clear at the very end that while ‘heaven’ is still a question, drowning is a certainty. In the last few moments, the men look at the terror and doubt in each other’s eyes—and experience the end together, as a
family.
No comments:
Post a Comment
Thank you for your interest in The R'lyeh Tribune! Comments and suggestions are always welcome.