It is probably safe to say that Lovecraft is rarely ever laugh out loud funny, but there is considerable wit and cleverness in some of the letters and poetry that he wrote. In his two volume biography of the author, S.T. Joshi provides several examples of Lovecraft using poetry as the medium both for playful literary criticism of genre writers, and for responding to their defenders in magazines like Argosy. In an earlier biography, L. Sprague De Camp provides additional instances of Lovecraft using his skill with rhyme and wordplay to introduce members of his local amateur press society, criticize the poetry of Walt Whitman, and write a tribute to Charlie Chaplin.
Examples
of humor and satire are too few and far between in his fiction, but one of his
stories stands out in this regard. Though
off the beaten path for most readers of Lovecraft, Ibid is well worth reading, and provides a completely different
view of the author’s capabilities.
Ibid was published in 1938, the year
following the author’s death. Joshi
suggests on the basis of some of Lovecraft’s correspondence that the story was
written in either 1927 or 1928. It is
the fictional history of one Caius Anicius Magnus Furious Camillus Aemilianus
Cornelius Valerius Pompeius Julius Ibidus—or Ibidus for short. Born in 486, Lovecraft tells us that Ibidus
was a critic and biographer of some renown, who flourished towards the end of the
Roman Empire. He lived to the ripe old
age of 102, following a distinguished career that included military service,
scholarship, rhetoric, and poetry.
But Lovecraft’s
story actually begins at Ibidus’ death. The
tale is not so much about Ibidus as it is about his head, or more specifically, his skull. Lovecraft has a lot of morbid, irreverent fun
detailing the adventures of the skull on several continents, through various
historical periods. There is not a
little parody here; at one point the skull is mistaken for the relic of a
saint, and the old Roman is canonized in absentia. Ibid also appears to be a send up of academic
writing. Throughout the story Lovecraft’s
love of words and history is on full display.
Favorite
line: “At first worshipped with dark rites
by the prairie-dogs, who saw in it a deity sent from the upper world, it
afterward fell into dire neglect as the race of simple, artless burrowers succumbed
before the onslaught of the conquering Aryan.”
Very
few of Lovecraft’s stories contain this level of playfulness and whimsy, which
is a shame. Stories like Ibid show that Lovecraft was much more
talented and creative than his short time on earth allowed him to demonstrate. In my view, he was at his most inventive when
he combined his deep historical knowledge and facility with the English
language. His sense of humor seems to
warm the pages a bit and bring him in closer to his readers.
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