H.P. Lovecraft begins his famous essay Supernatural Horror in Literature (1927) with these words: “The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.”
He
goes on to survey the influence and history of gothic writers leading up to his
great mentor, Edgar Allen Poe. He then traces
the development of weird fiction in America and England, and finishes with a
critical review of contemporary authors circa the late nineteenth and early
twentieth century. His language is
ponderous and academic, but also stately—comprised of long, well wrought and
grammatically complex sentences reminiscent of his literary hero.
A few
years before this, George Allan England published a less well known essay
called The Fantastic in Fiction
(1924). He begins with these words: “One
of the most profitable fields of fiction, if the writer knows how to cultivate
it, is that which for lack of a better term we may call “Pseudo-Scientific”.
Rather
than dwell on the works of his predecessors and contemporaries, or seek any understanding
of historical continuity, England goes on to brag about all of his recent
publications, here and there acknowledging that he might have saved his
creative energies by borrowing some from elsewhere: “My ‘House of Transmutation’ dealt with some
rather horrific adventures in remodeling a gorilla to human form and
intelligence…I will confess to having been a little influenced by that real
masterpiece, ‘The Island of Dr. Moreau’…”
Elsewhere
in his essay, England, who emulates H.G. Wells as Lovecraft does Poe, says this
about his mentor: “Wells is, of course,
one of the most successful modern ‘science-fakers’. The skill wherewith he makes the impossible
seem possible may well serve as a model to any aspirants in this line of
endeavor.” And this is the gist of his
advice to would be fiction writers—become adept at faking science.
This
requires extensive research. England
describes how nearly every story he wrote required considerable study in diverse
fields. What if there are insufficient
facts or scientific research to support the premise of a story? No problem—make some up: “On a pinch, one can quote learned
authorities which never existed, and fabricate weighty conclusions out of whole
cloth.” Lovecraft certainly made frequent
use of this technique in creating his Necronomicon
and similar reference books, as well as fabricating detailed histories of fictional
people and places.
England
advises writers to include a didactic element in their fiction. Even if the science is fraudulent, the reader
should still learn something new and useful.
“In the bushel of chaff, a grain of good wheat can be hidden.” Unlike Lovecraft, he also felt that the story
must include some romance woven into the science and fantasy. “The scientific warp must be shot through
with the woof of human interest and love.” Balance was needed, or else the story would
appeal only to scientifically minded readers.
George
Allan England was primarily a science-fiction writer, though he dabbled in
horror. One of his better known tales, The Thing From Outside (1923), often
shows up in anthologies. It was featured in a post last month, (“Cosmic Ants”). England also wrote a trilogy of science novels
dealing with an apocalyptic future earth. These were eventually collected as Darkness and Dawn (1914).
To
get a sense of the range of his imagination and the perhaps some of the spirit
that enlivened this early speculative and weird fiction, here are some of
England’s stories expressed in the form of ‘what-if’ questions:
1. What if forms of life evolved in the Arctic
without chlorophyll or any other plant life as we know it?
2. What if someone were kept alive indefinitely
with a mechanical heart?
3. What if there was an elixir that reversed the
aging process and made people relentlessly younger and younger?
4. What if you transplanted the brain of an executed
murderer into the skull of a large dog?
5. What if evil capitalists took over the world’s
air supply and sold it to the oppressed? (England was a socialist and once ran for
governor of Maine.)
6. What if an evil crime boss could direct his
henchman using only the power of his mind?
7. What if you planted wheat found in an ancient
Egyptian pyramid?
8. What if you had a special radioactive ray
that dissolved gold and aimed it at the world’s banks?
9. What if you were a passenger in a dirigible
that was struck by a meteor?
And
so forth. It would obviously take a
great amount of study and research to make any of these ideas believable—but he
did just that for a time and was fairly successful. One of my favorite quotes from George Allan
England:
“Let
the writer resolve, that for every 100 lies, he shall tell at least one truth
of real value to the world, and perhaps he can somewhat salve his conscience.”
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