Because many of us are already squeamish about the squamous, snakes are ready-made ingredients for many horror entertainments. There have been numerous films that either include them as props or feature them in some monstrously exaggerated form. Advancements in movie special effects allowed snakes to take center stage, especially after 1995, when computer generated imagery or CGI became increasingly prevalent in a variety of films.
Anaconda (1997) is an early example of the
application of this technology, and there have been numerous imitators
since. Overall, CGI techniques have been
a boon to the snake monster movie industry.
Live snakes have proven to be temperamental
and unreliable actors, possibly because of their poor enunciation and limited dramatic gestures. With CGI the possibilities
for serpentine mayhem seem unlimited.
An
entertaining list of recent and past snake films may be found at http://voices.yahoo.com/best-snake-movies-all-time-12296557.html
. (I will always have a special place in
my heart for last year’s Piranhaconda,
produced by none other than Roger Corman.) You can never have too many horror movies with snakes.
Snake Movie Sketch
It
seems an awesome movie could be made that includes a meteorite, a giant
radioactive snake, evil criminals, and an overly ambitious police detective. Freudian movie critics might have a field day
with this film, were it ever made, but this is not about repressed sexuality—much—but
about truth, justice and the American way.
A
meteorite crashes not far from the home of a young boy. Since the movie is initially devoid of any
adults, he investigates the site alone and recovers a large glowing egg from among
the smoking rock fragments. It later hatches
into a glowing, radioactive space snake. Being quite small, and often very still, the
boy’s parents assume the infant space snake is a borrowed glow-in-the-dark toy.
The child is uninformative about its origins.
Because
of its strange bioluminescence, the snake serves at times as a nightlight—albeit
one that glides around the room a lot—and a bedside reading lamp. The boy feeds the snake bugs and small
frogs, and protects him from an inquisitive cat. The boy and the space snake grow up together, gradually
forging a telepathic link.
Eventually
the snake escapes, but lingers protectively in the neighborhood. Strange things begin to happen. Increasingly larger creatures begin to disappear
from nearby yards, beginning with the annoying cat. A dog that chased the boy on his bike one day
mysteriously vanishes. On Halloween
night, the local bully is traumatized by what appears to be a gigantic glowing
green serpent. Older now, the boy begins
to connect these events and understand their significance.
As a
young man he goes off to the police academy and eventually becomes a
detective. He is astonishingly
successful in ridding the streets of dangerous criminals—often the bad guys are
eaten even before their pretrial hearings.
There is perhaps some concern about due process and the right to a
trial, but the quiet, invisible work of the space snake certainly gets the
wheels of justice turning more swiftly.
His colleagues in the department are envious of the young detective’s
success. He is understandably reluctant
to tell them about his partner in crime-fighting.
Then
one day, the young detective is unjustly passed over for a promotion. Human nature and snake nature being what they
are, the detective telepathically commands his serpent partner to do away with
his departmental rival. This is the
first of several ruthless actions he takes to advance his career. Soon not only the police department but the entire
city government and local citizens begin to fear him. He becomes a cold, calculating reptilian
tyrant, bent on spreading his oppressive rule by fear. The glowing space snake, now enormous and
voracious, enthusiastically carries out his master’s evil whims.
Fortunately
for humanity, a junior colleague who is much more sensible, ethical and
compassionate—that is, a woman—has determined the source of the evil detective’s
power. She herself has nurtured the
hatchling of a meteorite crash since her
early childhood, a large, even more enormous, glowing radioactive space eagle. (Sort of like the “la Carcagne” in the 1957
film The Giant Claw, only more
patriotic.)
In the
climactic showdown between good and evil, the depraved detective and his giant
space snake are
carried off in the giant talons of the space eagle to her secret nest, where
they are presumably devoured. The
earnest young professional becomes a super heroine, and inaugurates a new movie
franchise. (This movie only needs a
name.)
Hey,
it’s Friday night. Nothing has to make
sense.
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