“You will not fear the terror of the night, nor the arrow that flies by day, nor the pestilence that stalks in the darkness, nor the plague that destroys at midday.” (Psalm 91: 5-6)
This is
the biblical passage underlying E.F. Benson’s classic horror story, Negotium Perambulans (1922), which was
discussed in a post last June. In that
story, weird and gruesome justice is dealt to the principle sinners of Polearn,
an isolated fishing village in Cornwall.
The menace comes from the sea, a gigantic Calvinist mollusk that preys
upon those who commit sacrilege in an ancient church.
There
is an echo of this in H.P. Lovecraft’s The
Haunter of the Dark (1936). In both
stories, the relentless horror emerges from within or around a church that has been
desecrated, and lights must be kept on at night in a pathetic attempt to
forestall the inevitable. But there are
significant differences between the two stories reflective of their authors’
differing perspectives.
Different
again is Lord Dunsany’s “The Vengeance of Men”, found in his collection Time and the Gods (1913). This is a fable that describes a particular
view of humanity’s relationship with the gods, and of the latter’s inexplicable
wrath and cruelty. In some respects it
is a retelling of the ancient Israelites’ desert wanderings and eventual
settlement of the promised land of Canaan, described in the Old Testament books
of Exodus and Joshua.
But
Dunsany’s story contains a much darker and more modern understanding of this
experience. Dunsany’s people of Harza
are not nearly as successful as the ancient Israelites, and yet it is clear in
Dunsany’s tale that they will prevail through their indomitable will and
spirit. In “The Vengeance of Men”, the gods
of Pegāna single out the people of Harza for abuse and torment after they have
successfully cultivated what was an arid waste.
They are the “anti-Chosen People” and are soon visited by a menace
appropriately called “the Pestilence”.
Cheered
on by the gods, the Pestilence kills and disperses the people of Harza and
hunts them into the wilderness. It is
clear that Dunsany intends this Pestilence to be more than a physical menace,
for he “fed on the light that shines in the eyes of men, which never appeased
his hunger…” When he first arrives, the
Pestilence relies on stealth to capture his victims, but as his success grows,
he makes no effort to conceal himself and later even appears during the
day. (Initially he had operated only at
night, as his colleagues do in Negotium
Perambulans and The Haunter of the Dark.)
In desperation,
the people return to their doomed city.
Before he succumbs to the Pestilence, their prophet reassures them by
predicting the eventual end of the gods—this theme is actually introduced at
the very beginning of Time and the Gods.
The
three stories by Benson, Lovecraft and Dunsany show interesting similarities
and differences in their perspective on the “Pestilence”. There is a progression in their view that
moves from the individual to the collective fate of humanity as it struggles
with the cruel whims of its deities.
These comparisons are summarized in the table below.
Comparisons
of Three Pestilences
Author/Creature
|
Benson’s “Negotium”
|
Lovecraft’s “Haunter”
|
Dunsany’s “Pestilence”
|
Origin
|
The
sea
|
Shining
trapezohedron
|
Pegāna’s
outer gate
|
Appearance
|
Molluscan,
hairless, slug-like, caterpillar-like, phosphorescent, slimy
|
Indeterminate,
dark, black wings, “three lobed burning eye”
|
Vaguely
mammalian, green eyes, paws, dripping teeth
|
Vulnerabilities
|
Dislikes
light
|
Is
banished by light
|
None,
while the gods live
|
Victims
|
Sinners,
especially those that commit sacrilege or blasphemy
|
Writers,
artists, members of Starry Wisdom cult
|
Citizens
of Harza, but also dogs, cats, and bats
|
Cause of Death
|
“…the
critter had drained all the blood from him…”
|
“…nervous
tension induced by electrical discharge…” (?)
|
Loss
of soul and life-force by looking the Pestilence in the eye
|
Precautions
|
Avoid
sin, maintain a “firm faith and a pure heart”
|
Avoid
cults and shining trapezohedrons
|
Avoid
the city of Harza
|
Favorite Line
|
“God
has His instruments of vengeance on those who bring wickedness into places
that have been holy.”
|
“He
felt entangled with something—something which was not in the stone, but which
had looked through it at him…”
|
“Earth
is no place for laughter.”
|
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