The ancient Middle Eastern fish-god Dagon is the focus one
of Lovecraft’s shorter stories of the same name, and is an important element in
The Shadow over Innsmouth, among
other stories. Lovecraft’s Dagon is less well known of the two
stories, even though a movie of the same name was made in 2001. (This movie
more closely resembles Innsmouth, however.)
Dagon
is one of Lovecraft’s earlier stories, and appears to be a precursor to the
much more famous, The Call of Cthulu. It was first published in 1919.
There are numerous references to Dagon in the Old
Testament. It being the Hebrew Bible, he
does not get much good press, as deities go.
He was the god of the sea and of a sea going people, reportedly half man
and half fish. But he was also connected
with fertility, and grain, especially corn.
He was the national god of the Philistines, who occupied the Mediterranean
coast of ancient Israel. Father of Baal,
he was also a source of pernicious idolatry, which the Israelites were
compelled by their prophets to extinguish in the Promised Land.
In the book of Judges, there is the story of the final
moments of Samson’s life, when he destroys the temple of Dagon in Gaza.
Now the rulers of the Philistines assembled to offer
a great sacrifice to Dagon their god and to celebrate, saying, “Our god has
delivered Samson, our enemy, into our hands.”
When the people saw him, they praised their god, saying, “Our god has
delivered our enemy into our hands, the one who laid waste our land and
multiplied our slain.”While they were in high spirits, they shouted, “Bring out
Samson to entertain us.” So they called
Samson out of the prison, and he performed for them. (Judges 16: 23-25)
Samson, a famous fighter and strongman, has been
viciously blinded by his captors, and knows that his end is near. He asks a servant to place him where he can
feel the pillars that support the temple, so that he can lean against
them. The temple is crowded with
worshippers, among them men, women and children. He prays to the Lord, pushes with all his
might, and topples the building on top of everyone inside it, including
himself.
“Thus he killed many more when
he died than while he lived.”
A little later on, in the first book of Samuel, the
Israelites lose a battle against the troublesome Philistines, and the precious
Ark of the Covenant is captured by the enemy.
The Philistines take their prize and put it in the temple of Dagon in
Ashdod, right next to the image of their god.
When the people of Ashdod rose
early the next day, there was Dagon, fallen on his face on the ground before
the ark of the Lord! They took Dagon and
put him back in his place. But the
following morning when they rose, there was Dagon, fallen on his face on the
ground before the ark of the Lord! His
head and hands had been broken off and were lying on the threshold; only his
body remained. That is why to this day
neither the priests of Dagon nor any others who enter Dagon’s temple at Ashdod
step on the threshold. (1 Samuel 5: 3-5)
You never know.
Though not absolutely
certain, it is a good bet that Goliath, the Philistine giant whom David killed
with only a slingshot, was a worshipper of Dagon.
Much of the Old Testament
chronicles the early Israelites’ struggle against idolatry and other symptoms
of assimilation by the native cultures of Canaan, the Promised Land. Their
God commands them to put to the sword the native peoples, many of them
followers of Dagon. The Israelites are
to remain a people set apart, and are not to associate with or intermarry with
the natives, much less to follow their religious practices.
This horror of
miscegenation—interbreeding with other races and ethnicities, mixing in with other
cultures—is an underlying theme in many of Lovecraft’s stories. Whatever its original roots in the author,
his preoccupation with racial and class purity in his fiction seems to draw some
support and inspiration from Biblical accounts.
The ancient fish-god does much better in early twentieth
century New England than he does in Israel in 1100 BCE. In H.P. Lovecraft’s story Dagon, which takes place during the early years of World War I, the
narrator’s ship is captured by a German man-of-war somewhere in the South Pacific
Ocean. He escapes his captors in a
lifeboat and drifts at sea for some time.
He awakens at one point to find himself marooned on a vast expanse of
mud and slime that has been heaved to the surface by volcanic activity.
This part of the story will remind Lovecraft readers of
the third section of The Call of Cthulu,
which describes the experience of Norwegian seaman Gustaf Johansen, (“The
Madness From the Sea”). Cthulu was published about a decade
after Dagon, and contains elements
that were developed and elaborated from the earlier story.
After several days of slogging across this mysterious
terrain, he finds an enormous canyon, and under the light of a waning moon,
discovers an enormous monolith. It is
carved with weird hieroglyphics and disturbing images of marine creatures and
humanoid, fish like creatures. He is
then horrified to see a gigantic living version of one of the carvings,
emerging quickly from a large pool of water beneath the monument. He flees, barely retaining his sanity and
consciousness. He is later retrieved from
the ocean by an American ship, and recuperates in San Francisco.
He is safe only for a little while. Using morphine to deaden his fears and
memories, he knows he is doomed. Almost
as an afterthought, he implies that it was the ancient fish-god Dagon that he
saw at the monolith. He knows too much
now, and it is coming for him. (The same
paranoid ideation is present throughout The
Call of Cthulu.) Before it does, he
anticipates a day “when they may rise above the billows to drag down in their
reeking talons the remnants of puny, war exhausted mankind…”
Unlike many Lovecraft stories, this one is tied to
contemporary events and concerns by the references to the Great War.
The Shadow Over
Innsmouth is well known and does not summarizing here. However, the story contains a more explicit and
interesting reference to Dagon. The
narrator discovers early on in his visit that the Masonic Temple and local
Christian churches of Innsmouth have been corrupted and replaced by the “Esoteric
Order of Dagon”.
Innsmouth opens
with federal raid on the town, involving wholesale arrests of the citizenry and
the systematic destruction of their homes.
Observers of the conflagration “wondered at the prodigious number of
arrests, the abnormally large force of men used in making them, and the secrecy
surrounding the disposal of the prisoners.” There are concentration camps, mass
jailing, and terrible, disease ridden confinement of the prisoners. There is even mention of a deep-diving
submarine that fires torpedoes into a marine abyss located just offshore from
the town, (near “Devil’s Reef”).
As in the Old Testament, the sin of idolatry must be
purged from the land.
No comments:
Post a Comment
Thank you for your interest in The R'lyeh Tribune! Comments and suggestions are always welcome.