And the stars that shine above,
Will light our way to love.
You'll roam this land with me,
I'm the Sheik of Araby.
This
is a verse from an old jazz standard, popular in the early 1920s. Lovecraft wrote two of his “Araby” stories
around this time, which are among his earliest publications. The stories are interconnected, and take
place somewhere in the Arabian peninsula, though at very different times in
Lovecraft’s fictional universe.
The
Doom That Came To Sarnath (1920) is clever
antediluvian history, probably modeled on Hebrew, Egyptian and Babylonian
accounts of the rise and fall of ancient cities. He employs archaic, pseudo-Biblical language
to describe the rise of Sarnath, a human
city built in the land of Mnar, beside a primordial lake, “that is fed by no
stream, and out of which no stream flows”.
The people of Sarnath thrive, but at the expense of the original
inhabitants, whose ancient city of Ib, also on the shore of the lake, is
completely destroyed—except for a mysterious sea green stone idol. The statue is the image of Bokrug, a water
lizard, presumably their principle deity, and whom they physically resemble. Ominously, the high priest in Sarnath makes a
prophecy of doom shortly before he dies.
Much
of the story is description of the rich and mighty city of Sarnath, in text
that sounds like the King James Bible.
Some of the descriptions are reminiscent of passages in 1 Kings 7,
describing Solomon’s palace and the construction of the first temple in
Jerusalem. But there is probably
material used from other sources as well: ancient descriptions of Babylon and
other famous cities of the region.
A
millennia passes and the high priest’s prophecy comes true. Sarnath is completely devastated by a
reappearance of the vengeful inhabitants of Ib.
They emerge from the lake.
Ironically, they arrive in the midst of a celebration in Sarnath of the
ancient defeat of Ib. At the end of the story
it is implied that the worship of Bokrug, the water lizard, has re-established
itself in the land of Mnar. The Doom That Came to Sarnath is not an
easy read because of the archaic language and poetic ornamentation of the prose,
but it provides important context for its companion story.
The Nameless
City
(1921), takes place 10,000 years later, in modern times. A loan archaeologist finds the ruins of an
ancient “accursed” city in the middle of the desert. It seems haunted by odd metallic clanging and
whirlwinds that seem to arise from nowhere.
Though eager to find the city, the narrator is also ambivalent: “And as I returned its look I forgot my
triumph at finding it, and stopped still with my camel to wait for the dawn.”
As
in many Lovecraft stories, the narrator makes a perilous descent down ancient
stone stairways, and crawls through curiously low passageways. He sees murals that appear to depict the
history of the creators of this edifice, and their rise and fall as a
civilization. Eventually he finds what
appears to be a vast mausoleum, although the remains interred there may not
actually be dead. He also finds a door
way into a weirdly lit abyss. Before it
slams shut he observes a glimpse of the creatures who built this subterranean citadel. Their reptilian appearance links them with
the inhabitants of Ib in The Doom That
Came To Sarnath. It may even be that
the archaeologist is deep beneath the ruins of Ib. He escapes to the surface, but is marked for
life by what he has seen.
Both
stories are interesting because they contain elements that Lovecraft develops
much further in his later stories. The narrator's descent
and observation of the ancient murals in The
Nameless City will remind readers of a similar passage in At the Mountains of Madness. Abdul
Alhazred’s famous couplet is quoted here:
“That is not dead which can eternal lie, and with strange aeons even
death may die.” The preoccupation with
ancient and primordial history is strong in both stories and becomes a familiar
feature of later work.
Incidentally,
there is an excellent graphic depiction of The
Nameless City in the second volume of The
Lovecraft Anthology, published by SelfMadeHero.
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