The R’lyeh
Tribune
is now almost 10 months old—still young for a blog—and features just over 200
posts. Most of these are reviews or
short essays, and reflect the reading I have done of such authors as H.P.
Lovecraft, Robert E. Howard, and Clark Ashton Smith, among others. Since May of last year I have sampled the
work of about 30 different authors who were active in the early 20th
Century, and ruminated on close to 200 of their short stories. However, there are still several important writers
from this period I have yet to study. So
this is by no means an exhaustive review; I have really only just begun to mine
the deep vein of horror, science fiction and fantasy published in the pulp
magazines of the 1920s and 1930s.
This
is a fascinating body of literature, produced somewhere between the “Radium
Age” and the “Golden Age” of Science Fiction, before horror, fantasy and
science fiction became more clearly differentiated from each other. Gadgets and gizmos and pseudo-scientific
theories appear in these stories, but so do ghouls and ghosts and the Unausprechlichen. Science and technology vie with supernatural
explanations of the unknown. Depending
on the author, one or the other of these perspectives will win out. Cosmicism and religious sentiment also
struggle in these stories over questions of ultimate meaning and fate. The tensions among these various perspectives
indicate a period of great transition, and more broadly reflect a modern
society also going through many rapid changes.
Admittedly,
the pulp fiction of this time contains appalling racism, chauvinism, and a
variety of other ‘isms’ that would be considered politically incorrect these
days. These stories are filled with
anxiety about miscegenation, subversion, war, disease and loss of the familiar
and traditional. This is the base metal
of cultural nightmares transmuted into contemporary horror, science fiction and
fantasy—our society’s journal of bad dreams.
To be fair, our own cultural blind spots will probably be undetectable
for another 100 years. Here and there
are glimmerings of more enlightened views—or at least what we from our 21st
Century perspective would consider enlightened.
Given
the subject and timeframe under study, three authors have so far received more
attention than the others: H.P.
Lovecraft, Robert E. Howard, and Clark Ashton Smith. The plan is to continue perusing the work of
the latter two writers, and explore some of the lesser known authors who
appeared side by side with them in various pulp magazines. Readers are welcome to make suggestions or
recommendations if I have overlooked anyone of significance. (At the moment I am thinking of taking a
deeper look at the work of P. Schuyler Miller, Wallace West, and Manly Wade
Wellman.)
For
me, The R’lyeh Tribune has
essentially become an ongoing study of H.P. Lovecraft and his colleagues, and
perhaps an accumulation of notes for a dissertation I may yet write. What fascinates me most about the material is
the recurrence and development of certain ideas and patterns of imagery:
1. Why is the color green so often a signal for
the approach of the awful or unknown?
2. Why don’t any of the lead characters have
jobs?
3. Why were so many of these authors preoccupied
with pre-Christian religious ideas or busy creating their own pantheons of
“Elder Gods”?
4. How are relationships among authors in the
Lovecraft circle depicted in the characters of their stories?
5. Where in this literature is evidence of
changing attitudes toward women, minorities, and other cultures?
6. What form do contemporary advances in science
and technology take in these stories?
And
so forth.
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