One of
the pleasures of reading pulp science fiction is checking the accuracy of speculations
about the future, the prognostications that were made in the 1920s and 1930s. Did the authors of that period get it
right? Yet even when the authors get it
wrong, or perhaps too prematurely—Edmond Hamilton comes to mind, with his loud
clanking space operas—readers can still find prophecies of old school science
fiction that animate the genre today.
Hamilton and his colleagues predicted much of the content of Star Wars and Star Trek, for example.
Though
deficient in plot, characterization and style, these interesting stories are
not lacking in big ideas. Insofar as
they project contemporary issues and anxieties into an imagined future, they
have much to say about perennial human concerns. It seems that nearly a century needs to go by
for today’s readers to have the omniscience needed to evaluate the predictions
made in old school science fiction.
The
work David H. Keller—his “science fictioneer” cycle of stories—is a fascinating
example of this type of literature.
Unlike many of his associates who wrote science fiction for the pulp
magazines, Keller was less enthused with speculations about politics,
technology or extra-terrestrial life forms and more interested in the impact of
social and technological change on human relationships. His experiences as a psychiatrist undoubtedly
contributed to this perspective; a number of his stories resemble clinical case
studies in tone. But like H.P.
Lovecraft, who was a decade younger, Keller was very conservative and reactionary, particularly in regards to the
changing roles of men and women in society.
This
attitude is displayed in his 1928 story, “A Biological Experiment”, essentially
an extrapolation of the long term effects on society of women achieving social,
economic and political equality with men, as well as freedom from the
responsibility of childrearing. Radical
feminists will find the story irritating, especially its happy ending: in the
future, a stagnant, joyless and loveless society returns to the old ways of childbearing
and childrearing, becoming vibrant and meaningful again. (Chiefly by re-imposing traditional gender
roles.) However, more thoughtful readers
might ponder the impact of ever greater outsourcing of conventional family and
parental responsibilities to medical and governmental agencies, which is
Keller’s ultimate concern.
Around
the time that Keller wrote and published this story, the United States saw its
first female governor, (of Wyoming, 1925), an American woman became the first
to swim the English Channel, (1926), and Amelia Earhart made her famous flight
across the Atlantic Ocean (1928). The
name of one of the minor characters in the story, the matriarchal Helen Sellers
Gowers, sounds suspiciously like that of a famous suffragette. (The cadence of the name brings to mind
Elizabeth Cady Stanton, for example.)
While his younger colleague Lovecraft channeled the anxieties of White
Anglo-Saxon Protestants encountering an influx of different races, classes and
ethnicities, Keller seems to have been especially nervous about the evolving
roles of women in society.
Readers
interested in exploring Keller’s work further will find that “A Biological
Experiment” is a key story. Like Lovecraft’s “The Silver Key” (1929) and
“The Dream Quest of Unknown Kadath” (written in 1927 but published
posthumously), Keller’s story emphasizes favorite themes and preoccupations of
the author, and references several other stories that contain a network of
related ideas. Among these are Keller’s
“The Revolt of the Pedestrians” (1927), and “The Psychophonic Nurse” (1928),
especially the latter. Both “A
Biological Experiment” and “The Psychophonic Nurse” satirize a female character
who neglects traditional family responsibilities to pursue a career. (See also Look Both
Ways! and A
Place for Everyone; Everyone in Their Place.)
Keller
makes a number of interesting predictions about a future human civilization,
circa June of 3928. Instead of riding in
cars, busses or trains, people travel about in passenger planes or small,
private monoplanes. Reading and writing
are no longer necessary. People rely on
the “psycho-phone”,
…an
instrument that directly transferred and preserved the thoughts of a person, so
that at any time in the future the small glass cylinder could be inserted into
a radio and repeat the thought.
The
city of Pittsburgh, where the two young lovers in the story elope, has shrunk
to less than ten thousand people, since there is no longer any need for coal or
steel “in the new age of atmospheric electricity and glass”. (This prediction is not too far off. A recent newspaper article reported that
Pittsburgh has lost half its population since 1950, and is the only major city
in the U.S. that currently has more deaths than births. Evidently the town is now attempting to
reconfigure itself to fit in the new global economy.)
Freed
of work and parenting, as well as disease, starvation and poverty, men and
women are free to develop their interests unimpeded. Marriage is “companionate” and open-ended;
frequent divorce and remarriage is expected.
Oh, and a series of devastating plagues has wiped out non-Caucasian
races by the twenty-seventh century, leaving only white people.
Even more
ominously, the government is in complete control of education, health, the
economy and intellectual products of any kind. Because genetically superior children are
created under ideal laboratory conditions in government hospitals by a process
resembling parthenogenesis, women are no longer allowed to have babies on their
own. In Keller’s future society, government
enforced sterilization of both males and females is the rule. Almost certainly the inclusion of these ideas
in “A Biological Experiment” is Keller’s reaction to the eugenics movement of the
late nineteenth and early twentieth centuries.
Eugenicists
believed that the human race could be perfected through systematic breeding and
culling of individuals to develop superior genetic traits, that is, to control
the evolution of the human species.
Eugenics had implications for race relations, the treatment of people
with disabilities, and immigration, among other aspects of society. Though simplistic and reprehensible in
practice, eugenics is a powerful and attractive idea, and by no means a forgotten
notion. The purification of the race,
society, culture, religion, ethnicity—any agglomeration of humankind that can
be tidily categorized—is a primordial
aspiration, an enduring evil, and currently still quite popular.
It is a
disquieting fact that principles of eugenics were pioneered energetically in
the United States decades before
their application by the Nazis in Germany.
Eugenics research was funded by large American corporations—here in
Michigan, J.H. Kellogg was an important source of support. (Michigan was the first state to introduce a compulsory
sterilization bill, in 1897, though it did not pass.) Eugenics was also once a respectable subject
taught in many American universities. In
1928, when Keller published “A Biological Experiment”, there were 376 separate
university courses in eugenics at many of the nation’s top schools. It is entirely possible that Keller took
coursework in eugenics when he was in college.
Could it have been a prerequisite?
In the
1920s and 1930s, enthusiasm for eugenics contributed to anti-miscegenation laws
and limits on immigration from certain parts of the world, as well as
systematic sterilization of some populations. Interestingly,
the eugenics movement had adherents among early feminists like Margaret Sanger,
who conflated advocacy for birth control and women’s rights with attempts to
improve the genetic heritage of the race.
Even some African-American leaders, W.E.B. Du Bois among them, were
supportive at the time. A side
note: Du Bois once published a science
fiction story in 1920 called The Comet,
in which a cosmic disaster seemingly destroys the entire human race, at least
that part of it that resides in New York City, leaving only an inter-racial
couple to serve as contemporary avatars of Adam and Eve.
In
Keller’s “A Biological Experiment” two young people also play the role of Adam
and Eve, this time resisting their elders and eloping to a cave somewhere in
the Ozark Mountains, where they intend to “get back to the land” and live a
more pristine, natural life. This
includes having children the natural way.
(Readers who came of age in the 1960s and 1970s can relate to this
sentiment.) Their experiment succeeds,
but only up to a point, for the young woman dies shortly after childbirth.
Nevertheless,
in the climactic scene of the story, the young man goes to Washington, D.C. and
presents his infant girl to the “National Society of Federated Women”, chaired by
Helen Sellers Gowers, the imperious sister of his deceased wife. He tells the 5000 women assembled there all about
their experiences living in the cave, their love for each other and their sacrifice.
There isn’t a dry eye in the house, and
all the women are smitten by the sight of the natural, free-range infant. Their minds are completely changed.
“There
must be no more synthetic children, no more companionate husbands, no more mere
houses!” exclaims their leader. “Give us back our homes, our husbands, and our
babies!” Contemporary readers may
suspect that it would take more than a cute baby to reverse centuries of social
evolution, even now, let alone in the 40th Century.
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