Stanley
Weinbaum’s The Adaptive Ultimate
(1935) is a monster story, but a thoughtful one, filled with interesting
speculation about the possibilities of human evolution. Two scientists inject an impoverished young woman
with an experimental serum derived from fruit flies, of all things. Dr. Scott, the younger and more impetuous of
the two, has observed that fruit flies are capable of producing a higher
frequency of genetic mutations than other organisms. If the active principle that allows fruit
flies this adaptive edge can be isolated, it might lead to a cure for the
illnesses that afflict humankind. An effective
serum would allow human beings to adapt rapidly to disease and prevail against
it.
There
is some poignancy here; at the time The
Adaptive Ultimate was published, Weinbaum knew he was dying of cancer. In the stories he produced in the mid-1930s
there is frequent mention of discovering some near miraculous and universal
cure for human ailments.
Against
the warnings of Dr. Bach, his older and wiser colleague, Scott administers the
serum to Kyra Zelas, who is dying of tuberculosis. The results are instantaneous and
remarkable. Her health and vitality
return, and she becomes beautiful, charismatic, physically strong and highly
intelligent. The two scientists figure
out that the serum has caused “hypertrophy of the pineal”, that is, excessive
development of the master gland, which allows extraordinary physical adaptation
by way of hormonal changes.
In only
a few weeks Kyra becomes a celebrity, and influential in political
circles. However, the two scientists
soon realize to their horror that Kyra is also a sociopathic murderess, whose
only interest is acquiring ever greater power over those around her. Suspense builds as the two nearly impotent
scientists contrive a way to surgically destroy the source of her power. The image is a disturbing one: Kyra’s pineal gland must be savaged while she
is unconscious. And there is some
ambivalence on the part of the younger Dr. Scott, for he has fallen in love
with the “goddess”.
Weinberg
uses the dialogue between the two scientists to speculate about the
consequences of rapid human evolution.
Not only is Kyra rapidly developing greater power as a human organism,
she is gaining the ability to change and control her environment at will. It is interesting that Kyra is a woman who is now unstoppable and no
longer subservient nor financially dependent.
This “monster” allows Weinstein to explore male anxieties about the
changing roles of women in early twentieth century America.
The Adaptive Ultimate is comparable in some respects to a
story published a couple of decades later, Daniel Keyes’ Flowers for Algernon, (1959).
In that story, the character of Charlie Gordon, a developmentally
disabled young man, is turned into a genius following an experimental surgery. As his knowledge and awareness expand,
relationships with his co-workers and family members become problematic. But Charlie is not a monster like Kyra. The author’s focus is on the social cost of
rapid and intense change in human intelligence and potential. Unfortunately for Charlie, the beneficial
effects of the surgery are only temporary, and he regresses to a level of
intellect beneath what he possessed originally.
The
theme of a cure that turns out to be worse than the disease is often found in horror
and science fiction. A more recent
example is an episode from the first season of The Outer Limits (1995, not the original series from the early
1960s). In “The New Breed”, Weinbaum’s
original idea is recapitulated, but instead of “pineal hypertrophy” the engine
of physical change and adaptation is nanobot micro technology.
After
he learns that he has pelvic cancer and only a year to live, Dr. Andy Groenig
injects himself with nanobots developed by his scientist friend. His cancer swiftly goes into remission, and
Groenig develops a remarkable ability to heal quickly from almost any injury. But his body also becomes highly adaptable to
any stressor. Subsequent changes make
him increasingly less human and more monstrous. At one point he even develops eyes in the back
of his head.
Killing
Groenig by electrocution is the only way to stop the nanobots from continuing
to “improve” him. However, after his
death, his fiancé discovers that she has been infected with the nanobots,
presumably from sexual contact with Groenig.
It is interesting that in The
Adaptive Ultimate and Flowers for
Algernon the experiment only affects an individual, and produces in Kyra
and in Charlie an exaggerated, idealized form of the human being. In The
Outer Limits episode, the experiment eventually causes a perversion of the human
form, (as in H.P. Lovecraft’s hybrid humanoids), and the horror spreads to
others as a contagion.
Stanley
Weinbaum’s small but intense body of work is indispensable for understanding
and appreciating the development of modern science fiction. His original and prescient ideas show up
again and again as the decades role by.
The field owes much to his vivid imagination and skill as an author.
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