The
summer 2014 issue of Space and Time
is now available at one of our local newsstands. But it may not be much longer,
because this independently owned bookstore is about to close its doors. This is where I have been accustomed to
purchasing the quarterly issues over the years.
The magazine’s editor has often commented on the struggles of
brick-and-mortar book and magazine stores, a depressing but perhaps inevitable
outcome of the success of digital media.
Future
opportunities for small press publications probably lie with online
subscriptions, but for now, I am going to shift to having the magazine
delivered to my door. I need to ensure reliable delivery of this venerable
publication. Readers of The R’lyeh Tribune are encouraged to
consider subscribing to Space and Time,
a wonderful source of high quality horror, science fiction, and fantasy from
emerging talent in the field.
Issue
#121 leads strongly with Charles E. Gannon’s “A Cyberkeet’s Story”, which deftly upends the familiar science fiction
trope of thinking machines that try to understand and perhaps emulate human
thought and emotion. The narrator, a thoughtful “Simu-Tone RepetiWhistler”
wryly observes its human owner’s struggles to adapt to a world where artificial
intelligence is increasingly pervasive.
The tone is alternately ironic, sadly philosophical, and ultimately chilling. Along the way, the story explores the nature
of intelligence, identity, individuality, and human purpose.
The
following story, “Lost in Natalie”, by Mercurio O. Rivera and E.C. Myers, also
has human individuality as its theme, but takes place in a completely different
venue. In the near future, a new
technology allows its users to temporarily exchange bodies with one another at
clandestine “meatswaps”. As with nearly
every subversively new technology, its initial use is not so much for increased
efficiency or general edification as sexual gratification. Predictably, feelings and a desire for a
deeper connection—that is, love—complicate
matters. The authors use the story’s
premise to investigate the nature of human sexuality, relationships, and even
immortality. This one is also technically
ambitious and impressive: the authors manage to effect several name, body and
gender changes among the characters without losing the reader.
The
magazine shifts more to fantasy and horror after these two stories. Fans of early 20th Century horror
and fantasy will see in Derek Muk’s character of Albert Taylor a reincarnation
of such famous psychic detectives as Carnacki, Gerald Canevin and John Silence,
among others. Muk updates this subgenre
of ghost stories by combining elements of TV shows like SyFy’s Ghost Hunters with crime fiction—Muk’s “The
Haunted Goldmine” is also a ‘who-done-it’.
In town for a conference on ghosts and related phenomena, the occult
expert Albert Taylor is approached by an amusement park security guard who has
had a spectral encounter inside one of the carnival rides. Alan Beck’s illustration for the story is too
unsettling to look at for long.
Barbara
Krasnoff’s “Under the Bay Court Tree” introduces the mysterious Mrs. Delaney,
who may be much more than the local neighborhood watch captain. The narrator has moved into a claustrophobic
cluster of old homes called Bay Court, where the neighbors seem unusually
deferential to the imperious old woman.
An oddly shaped tree occupies the center of the little neighborhood, and
on its branches lingers a strangely vigilant mockingbird. Krasnoff’s use of mundane detail and everyday
conversation to gradually reveal a darker reality may remind some readers of
Shirley Jackson’s style. “Under the Bay
Court Tree” reads like the opening chapter of a much larger work—one wonders
what will happen next on that block.
Space and Time nearly always includes a story
inspired by what some call H.P. Lovecraft’s Cthulhu Mythos. David Hollingsworth’s “Only the Bones Remain”
is a horror-action tale set in Japan at the time of the Samurai. Senshu Odala Vosh must transcend his feelings
of personal loss, guilt and regret to rescue a kidnapped orphan girl from a
vile cult that worships the Old Ones.
The warrior Vosh is a more thoughtful, less barbarous version of Conan,
but just as adept with a sword. “Only
the Bones Remain” is an interesting translation of a mythos tale from its
typically Western Anglo-Saxon perspective to a completely different cultural
milieu.
Finally,
J.A. Bradley’s “What Adam Said” is the shortest story in the issue, but also
the most intense. On the eve of a
catastrophic storm, a police dispatcher must juggle emergency calls with a real emergency call from her husband. The raging storm outside surely mirrors her
emotional state, but disaster may yet be averted. However, it will require a single horrific
act, and her husband cannot do it—perhaps she
can. Both literally and conceptually, this
is a very dark, apocalyptic tale, and its impact is strengthened by a tight,
economic prose style.
Issue
#121 of Space and Time also contains
an interesting discussion of the work of Stirling Silliphant, the screenwriter
who worked on Village of the Damned
(1960) and Charly (1968), an
interview with author Jody Lyn Nye, and reviews of recent poetry and short
story anthologies. Another impressive
issue and well worth a look.
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