“…the
soy sauce chooses you!” A character in
the 2012 film John Dies at the End utters
these preposterous words, which also profoundly summarize the existential
threat facing humanity and consciousness itself. Though very much its own creation, the film
will remind some viewers of the more hallucinatory sections of John Carpenter’s
In the Mouth of Madness (1995), David
Cronenberg’s Naked Lunch (1991), and
especially the underrated but effective Book
of Shadows: Blair Witch 2 (2000).
The film also owes much to late 1960s psychedelia, in particular, to
some of the loopier episodes of TV shows like The Monkees, (for example, the “Mijacogeo” episode, in which the
band mates discover a plot to conquer humanity using television as a channel
for alien thought control).
In
Carpenter’s film, the books written by “Sutter Kane”—a stand-in for H.P.
Lovecraft—drive their readers insane and simultaneously unravel the nature of
reality in very Lovecraftian ways. Naked Lunch is loosely based on the life
of William S. Burroughs and several of his books; the lead character imbibes
various substances, beginning with “bug powder”, which allow him to discover that
his fate is in the hands of a giant, extraterrestrial insect.
In Book of Shadows: Blair Witch 2, a group
of young tourists camps out in the notorious woods outside Burkittsville. During a party around a campfire, the group
falls under the influence of the local genius
malus, runs amok, and slaughters all the people at a neighboring campsite. They flee to the fortress-like home of one of
the members while a police investigation is underway. So much depends on video! It is by piecing together scraps of video
images and ghostlike memories that the survivors of the mayhem are able to
reassemble their minds and remember the horror of their actions. By then of course, it is too late—they are
already damned souls. This is the most
interesting part of the film, which is essentially a clinical study of
dissociated personality syndrome.
All
three of these films ask the haunting questions: What is real? How reliable is
our understanding of reality? And so
does John Dies at the End, though the
tone is more darkly comedic. As in Book of Shadows: Blair Witch 2, reality
becomes completely unglued following a party, this one held after a performance
by John’s band. A Jamaican drug dealer
proffers a new street drug he produces, called “Soy Sauce”. Its effects include heightened intelligence,
altered perception and clairvoyance. But
these are just the “side effects” as David, the narrator, reports. The lasting effect is to cause the user to
become unstuck in time, (similar to Billy Pilgrim’s experience in Kurt
Vonnegut, Jr.’s classic 1969 novel Slaughterhouse-Five). Soy Sauce also reveals other dimensions
overlapping that of Earth’s, filled with monstrosities and a malevolent
invading entity called “Korrok”.
What
follows is a bracing phantasmagoria of gruesome violence, otherworldly
creatures, and disturbing bodily hallucinations. David relates all this while sitting in a
Chinese restaurant with a middle-aged man named Arnie, a “future reporter” who
wants to produce a book based on David’s revelations. Soy Sauce is part of a larger plot to alter
humanity’s perceptions of reality, allowing the entity known as Korrok to
infiltrate this dimension and control it, as it rules another planet Earth in
an alternate universe. In the context of
the film, it makes perfect sense that the only weapon effective against Korrok
is another hallucinogen. Along the way, John Dies at the End manages to poke fun at numerous horror and science
fiction tropes and comment on many aspects of popular culture.
Despite
the frenetic pace and superficially incoherent plot, continuity is skillfully
maintained through the recurrence of various images: “Bark Lee” is the ever
present and heroic dog; John’s spooky cell phone voice guides his friend David
through the visual chaos; Arnie’s skepticism fades and his panic grows as the
interview proceeds; Detective Appleton gradually pieces together the events
that led to multiple murders; the Soy Sauce itself takes on a life of its own. The film achieves the poetic unity of a
nightmare—a non-linear presentation of disturbing images that gradually but not
entirely coalesce to form a whole new terrifying world.
Not
surprisingly, religious themes surface throughout the film. In one powerful scene, the Jamaican drug
dealer, (“Do you dream, man?”) berates David for his limited understanding of
reality and consciousness. He references
a story from the Old Testament book of Daniel, in which the prophet is able to describe
and explain Nebuchadnezzar’s dream without ever having heard it, thus saving
his life and that of his imprisoned friends.
The drug dealer does the same for David, having the clairvoyant powers
that the Soy Sauce provides. He too is
now a prophet, and David will soon become one.
Later in the film, David and John do battle with the minions of Korrok
using baseball bats plastered with pages from the Old and New Testaments.
In
another visually arresting scene, (among many), one of Korrok’s minions
describes the history of the alternate planet earth, which saw the evolution of
organic thinking machines which eventually developed into the entity called
Korrok. The presentation becomes a
cartoon depicting a resistant population decimated by giant arachnids. The scene is reminiscent of similar treatment
in the silly but entertaining send up of the Cthulhu Mythos, The Last Lovecraft: Relic of Cthulhu (2009),
a film that it resembles in terms of tone and characters. (This film was discussed in an earlier post,
see Blasphemy!).
In
the end, what survives the marauding psychic horrors of Korrok, or the existential
chaos of his hallucinogenic visions?
Perhaps friendship and a shared understanding of how the universe
operates—in this dimension or another.
In the closing scene, David and John turn down a request to save another
world. They walk nonchalantly away, wizened and unafraid. Despite the chaos of perceived reality, they
are still going to play around and have a good time.
If
you have not already seen it, John Dies
at the End is a lot of fun and well worth a look.
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