“I
don’t know how to say this, but things have gone downhill since you got
infected.”
Dr.
Allen Farragut offers these cheery words to his brother Peter, who is stretched
out on a table in the isolation room at Arctic Biosystems. In that top secret laboratory near the North
Pole, an outbreak of the strange Narvik-B virus is in its fourth day. Peter was one of the first individuals
infected, and has endured extreme pain, uncontrollable rage, paranoia, the
conversion of his blood to black slime, and zombification. But he has also experienced superhuman
strength and possibly a preternatural enhancement of his sense organs.
In
the last episode of the Syfy channel’s new series, Helix, Sarah Jordan had developed a test for the disease that
allowed staff of the research base to be divided into healthy and infected
camps, with the latter banished to Level R, in the basement of the facility. But the test was later found to be inaccurate
in the worst way: it either fails to
detect the active virus in all cases, or yields false positive results in
otherwise normal individuals.
And there
have been other disasters while Peter drifted in and out of consciousness in the
isolation room. Belleseros destroyed the
satellite uplink, severing communications between the base and the outside
world. Rebels among the banished
scientists on Level R have found a way to shut off the air supply to the upper level,
in order to blackmail Dr. Hatake and his minions. (A wonderful touch: Dr. Hatake’s red coffee mug displays the
words “Keep Calm and Carry On”.)
Viewers
learn that Sarah, the beautiful and earnest young intern, is dependent on gabapentin,
and later morphine, to stave off the pain and tremor caused by her cancer. Ironically, she is diagnosed by a fellow
doctor whom she is treating for the Narvik-B infection. The stricken doctor happens to be an
oncologist. The show is full of these
intriguing ironies.
Meanwhile—and
there are a lot of “meanwhiles” in
this complex, ambitious series—Dr. Doreen Boyle, the curmudgeonly veterinarian
makes a remarkable discovery. Not only
are the infected humans a vector for the Narvik-B virus, the virus itself is a vector for a completely
unidentifiable strand of DNA. The purpose
of the virus—the mechanism of the disease—is to deliver the genetic material
into the human victim, who then undergoes horrific mutation. “Say hello to my little friend”, she says to
her buddy Belleseros, gazing at a schematic on the computer screen. “We’re looking at the hand of man.”
(At
this point, my wife and I disagreed about the origin of the unusual DNA
strand. I think it is extraterrestrial,
but she thinks it was engineered by scientists at Arctic Biosystems via
gene-splicing techniques.)
Meanwhile,
downstairs Julia has come under the
protection of a woman who first appears with a gas mask covering her face. They rummage through food lockers in the
basement in order to survive Dr. Hatake’s cruel isolation of the infected staff
on Level R. In one of the cabinets Julia
discovers irrefutable evidence that she has been at the lab in the distant past. Besides excelling at leaving behind many
unanswered questions, the show’s creators are adept at introducing mystery
after mystery to engage their viewers’ imagination. The plot resembles one of those Russian
Matryoshka dolls: within one doll is another, and inside that doll, another,
and so forth.
What
is the real purpose of Narvik-B and its companion, the unidentified strand of
DNA? Is it for biological warfare? Was it an attempt to develop a universal
anti-viral agent, a cure-all for all of humanity’s ailments? Or is its purpose something completely
different and unanticipated? Was the
outbreak at Arctic Biosystems an accident, or planned? And one final question—to the creators and
writers of Helix: Why did
you kill off one of my favorite characters, in such a gruesomely ironic way?
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